Thursday, December 26, 2019

Still Chasing | Review - Star Wars Episode IX: The Rise of Skywalker




This is the very first time in the years and years I’ve engaged in this little hobby where saying “It was a good movie” feels like a backhanded compliment. But that’s about where I’m at. Saw the flick on opening night. A week has passed and the only thing my mind keeps coming back to is that it was a movie and it was fine but it was just there.


Speaking of course about The Rise of Skywalker. The end of the Skywalker Saga which has taken us outwards to a galaxy far, far away and across forty whole, actual years of meta and merch and iconography which isn’t even to mention the numerous spin-offs, sequels, prequels, TV shows, mini-series, and video games. All of that has led to this…which is why just calling Episode 9 a good movie feels like such a misnomer. Getting ahead of myself here.


The most notable part of this chapter in the saga as it starts is that the new trio is finally back together. Notable because they spent a large portion of Episode 8 in separate worlds entirely. Finn and Poe have intercepted a message from a spy in the First Order, barely making it back to base to relay it. Rey, who has been trying to access her Avatar State- I mean her Jedi predecessors is annoyed with the boys for wrecking her ship while they are annoyed that the best fighter in the outfit is running obstacle courses and not, you know, fighting.

A good point to be fair. It helps Rey make her decision to gather up the Old Jedi Texts and follow Luke Skywalker’s final lead to locate the Lost Sith World. Her friends insist on going with her, because we’ve done this “Let’s split up gang!” schtick before with varying (disastrous) results.

JJ Abrams is back at the wheel for this final installment and if starting the movie mid-chase scene wasn’t a big enough tell then the Wile E. Coyote perils of the second act certainly will be. Certain parts of the plotting stuck out to me in this way including a scene where Rey heals a wounded pit worm creature using the power of the Force.


I would make fun of this more, but I have watched far more cartoons than is average and it also set up two key events in the narrative so I’ll leave JJ alone on this one. However…

So much of this movie felt inconsequential. Perhaps because my prediction from two years ago about this movie retconning The Last Jedi into the ground turned out to be true in the most predictable ways. So much talk (boring talk at that) about how JJ was working from behind having to tell his own story and conclude the saga while cleaning up after TLJ. First of all, it’s his job. No tears here, muchacho. Secondly, the meta regarding Episode 8 is only a problem if you treat it that way. Nothing that happened was inherently bad.

Actually, no, that entire code breaker subplot that took up half of the movie was bad. It was really bad. But everything else was fine! Luke has moved on, Snoke is dead and Kylo Ren is the Supreme Leader. There are bones of a solid follow-up to be had, yet Disney’s refusal to carry on even these major developments has me scratching my head to wonder why they let Rian Johnson finish the movie anyway. Clearly, they didn’t know what they wanted and never have which points to the general feeling of dissociation in this final film.


Princess Leia’s story and her time in this film feels the most coherent of all. It helps that she was past being a major on-screen character at this point. It’s also worth noting the tactful way her story ended given the untimely passing of Carrie Fisher earlier in production. They did what they could with the footage they had left and turned it into one of my high points of the movie. I give credit where I think it’s due and this was well done.

The rest was an exercise in lukewarm thrills and squandered potential. Hux will forever be the Big Bad that never was – a fiery ball of charisma playing second fiddle to a room of actual NPCs. Rose Tico, after being heavily involved in the climax of The Last Jedi, is little more than a support character in The Rise of Skywalker. This annoyed me. Rey throughout the movie leaves her friends in peril to go on random side quests and listen to Kylo Ren drone on in painful “cutscene” dialogue. That greatly annoyed me.

I could even compare this to Venom in that it was a weird movie with one great performance that really wanted me to hate it and failed in spectacular fashion. I didn’t hate this movie. I actually liked it by the end. The last thing I can say before getting into spoilers:

The Rise of Skywalker was easier to sit through; The Last Jedi was more fun to talk about.

3 Stars Out of 5





Cool. So straight away it should be known that Hux is the spy. Chewie, Finn and Poe get captured as all guerrilla soldiers in the motion pictures must and just before they’re executed, Hux nabs a blaster and takes out the troopers with him. He releases the prisoners while noting that, even at the expense of his own livelihood, he wants Kylo Ren to fail. Sure, whatever, but then he is gunned down on the bridge by General NPC whose name I don’t care to recall at this moment.

When I first heard word of a spy I thought hey this is a great spot to bring back DJ, the codebreaker played by Benicio Del Toro who was shrewd in dealing with the Resistance and the First Order. What better way to nail home his point about war being nasty and grey than using his ill-gotten gains to help save the galaxy? Instead, it’s Hux. Being hashtag petty before getting a weak payoff to his rivalry with Kylo via a third party. To call this underwhelming would be too kind. Wasted potential, the story of Episode 9.

Ben and Rey interacted well as characters. I stress this part characters because it’s been quite easy for people to forget that these are real people cosplaying fictional characters which I guess is a credit to Daisy Ridley and Adam Driver as actors. Both very talented. Although it felt like the lightsaber duels between them just got in the way. No real thought went into them outside of one specific moment and “Well we gotta have laser swords in this damn thing.” I’ll explain.

In the world of simulated violence, there is an art to making an interaction convincing and enjoyable with a payoff that makes sense. Generally, this involves a decisive outcome. I could point to the Atomic Blonde stairwell sequence or John Wick mowing down dozens of goons with ease while struggling to overcome one expert combatant. I could detail why both of these examples work in their own unique ways but we’re talking about Star Wars so I’ll stick here.


Luke Skywalker, as he grew in his training and experience, went on a steady incline of eventually facing his destiny. In the first movie, he didn’t approach Darth Vader at all. Ben Kenobi bought his crew enough time to escape in the Millennium Falcon and destroy the Death Star. Second movie, he still isn’t ready and Old Man Yoda tells him this. But he still goes, fights valiantly and gets absolutely destroyed by Vader. He survives though, and gains even more experience as a Jedi Knight. When the two meet again, Luke beats Vader handily. There is a natural progression of who gets the upper hand in the battle of wills.

We don’t get to see much of this between Rey and Ben. She’s the protagonist and has gotten stronger on top of the absurd amount of power she already has due to her bloodline (more on that later). Conceivably, she should be able to outmatch Kylo (who’s rebuilt his helmet yay?) and defeat him like Luke did Vader in his third movie. Well, she does, but not by herself. As Alfred so famously said, what’s the point of all those pushups if you can’t move a log? Yes, Kylo is the log here. We’re way past the point Rey should be intimidated by any bad guy. If she’s gonna beat him, just beat him. Obi-Wan’s battle against Darth Maul, who slayed his master in front of him, felt like a desperate struggle where each swing of a saber felt like it could be the last. Kylo and Rey were just swinging props.

JJ owes some royalties to Genndy Tartakovsky, because before the final blow was struck Leia used the last of her life force to reach out to her only child and give him pause, which allowed Rey to inflict a mortal wound. But she’s Force Sensitive and felt her mentor leave the mortal coil. Realizing what she’s done, she heals Ben’s wound like she healed the worm earlier. She then tells Ben in not so many words, hey I wanted to join forces with you but you still wanted to kill my friends, you dick! And Ben is left alone to contemplate this with the ghost of Han Solo.

There is a lot I did and did not like about this. The method in which Rey was victorious made sense in relation to her bond with Leia and Luke and nicely set up the penultimate moment of the film. The path we took to get there was convoluted and involved Rey yet again going off on her own with no regard for her friends and allies and leading her nemesis directly to the thing he was looking for. This reeks of Second Draft chicanery. But! I thought is was a nice way to end Leia’s story and Rey’s decision to save Ben Solo (not Kylo Ren) informed a lot about her character and the decision rightfully came back to aid her in the end.

Speaking of the End: Rey is a Palpatine! Ay, bet you didn’t see that coming. Or maybe you were like myself and my friend Scott who called it from the moment the landed on the sand dune planet. I don’t pretend to be some Great Prognosticator but I knew knew knew that the chance to make Rey the recipient of Assassin’s Creed Bloodline Powers would be too much for the Mouse to pass up. And no, not even the great Adam Driver with his many skills could save the scene where, through his mask no less, he must monologue about who she is, where she came from, what happened to her parents. This was brutal.

You don’t want Kylo Ren to be the Final Boss he’s been built up to be. Fine. He doesn’t have to be and Rey doesn’t have to end him. Have Ben Solo defect and now his rival Hux is Supreme Leader. He doesn’t necessarily hate the Resistance but his hate for Ben burns with the heat of 1,000 suns and that would be enough for him to borrow the fire power of a long-dead Sith Lord or whatever nonsense you want to write but walking out of the theater I can’t wrap my head around how the one First Order officer with any sort of character was just written off in a cutscene that barely went a minute. What’s the point?

Getting back on track. Palpatine’s whole plan is for Rey to kill him and inherit his power so he can live on forever. Sound familiar? He must have known Luke trained her. Surely one would assume he’s warned her about this ruse at some point. Anyway, she refuses. Palpatine gets fried for real this time and Rey drops dead for…reasons, I guess. It sets up the big moment I discussed earlier where Ben climbs out of the Mortal Kombat pit and resuscitates her. A life for a life. It’s a decent payoff, an appropriate end to the Skywalker line and naturally Adam Driver puts his all into what is for all purposes the final sequence in Star Wars history. As far as direct parallels to Vader go, you could have done worse. When you do as many awful things as they did there really is only one way to redeem yourself.

Later, we see Rey and BB-8 (Does she own the droid now or did it just start following her? Fair play either way.) on Luke’s homeworld of Tatooine. She finds his family’s hut and gently buries his and Leia’s lightsabers in the sand dunes there for the next big adventurer to find them, as someone always does. An old woman walks by and asks Rey who she is. “Rey Skywalker,” is her answer. Alright.
First thing: you’re a Palpatine, miss. We just had a whole to-do over it. The fact of which almost ended the galaxy. Second thing: I know Leia basically adopted her and Luke trained her for five seconds but the Skywalkers are gone. Unless Anakin had a sibling we aren’t aware of we have reached the end of the rope. It’s a nice gesture and she got to pose with her round buddy under the two red suns but, factually, this is untrue. As my friend Lunchbox pointed out, it's like someone just did the Aristocrats bit, only the payoff is saying "We're the Skywalkers!" Which if you'll recall is exactly how Episode 9 ended. You cannot make this up.

There are a dozen little things that will needle you as a fan watching this. Finn never got to tell Rey his secret. Rose is a non-factor after being clearly established as a major character. The new characters introduced are largely support class characters with dialogue to match. Conflict is set up not by necessity but largely by our heroes being impotent. All of this stuff adds up but not enough to make it a horrible movie. Just a toothless one. Very well made and pretty to look at. There is much doubt you will remember you saw it in a month or so.